The Decline of the
Ursus
In his Preface to Decline of the West, Oswald Spengler candidly states he owes "everything"
to Goethe and Nietzsche. Like Nietzsche, Spengler was
a classical philologist. Nietzsche had taught classical philology at the
From comparing Greek mathematics to our
own, Spengler derived his thesis that each High
Culture - which one should more properly call a Race-Culture - devises its own
mathematics, its own physics, its own "science"; and from there his
most startling contention, that each High Culture is an organism.
An organism, one knows, is a living
entity. Spengler postulated that such was the
case with High Cultures. (A "High Culture," one must realize, is one
of sufficient import that it effects, in some lasting
manner, the universal history of the human species. The Babylonian High
Culture, for example, originated rudimentary astronomy, developed cuniform writing - as opposed to Egyptian glyphs - and
perhaps, most importantly, pioneered a secular legal code.) Spengler noted that each High Culture goes through
isomorphic stages, which he compared to the seasons: Spring, Summer, Autumn, Winter.
Spring
is the Mythic Period, corresponding in the Apollinian
(Graeco-Roman, "Classical" High Culture) to
Hesiod, the Trojan War, Dido and Aeneas; in the
Faustian (modern Western) to the Eddas, the Chanson
de Roland, the Arthurian legends, etc.
Summer
is the full blossoming of that High Culture: Early Summer, Homer/Crusades;
Mid-Summer, Athenian Drama/Renaissance; Late Summer, Alexander/Baroque-Rococo
era.
Autumn
is marked a Civilization Crisis, in which the Culture - which is an emerging
organism - has fulfilled its forms; there follows a period of development:
Early Autumn, Hellenistic culture-Rise of Rome/French Revolution-Napoleon;
Mid-Autumn: Rome-Carthage/World Wars I & II (where we are now); Late
Autumn, Caesar-Principate/(yet
to come).
Winter
is the state where the Cultural Momentum is exhausted, an ossification
occurs; the High Culture produces nothing new and becomes "historyless," returning to a pre-historical condition.
In antiquity, this was marked by the fall of the Western half of the
Spengler maintained his ideas formulated as a result of the Agadir
Incident. He foresaw WWI, which he believed the Central Powers (which nominally
included
Decline of the West [Untergang des Abendlandes]
was published in
The title can be misleading, as
"Decline" does not mean "Collapse." (Untergang,
in German, means a "setting": Sonnenuntergang
is the word for "sunset.") If one looks at a map of the world at the
time of the Agadir Incident, he will see that 92% of
the surface of the earth was politically controlled by European powers
(incl. the
Looking at the same map today, one
will see there is no European presence outside of
Decline of the West is one of those books that one cannot intelligently talk about;
one has to read it - and thanks to the collapse of
Spengler's critics were quick to brand him a "pessimist" and label his
ensuing philosophy "Pessimism." (The term had previously been used to
describe Schopenhauer, but blathering critics aren't noted for originality.)
"Is stating the grandson will outlive his grandfather 'pessimistic'?"
Oswald-the-Great asked. (He might have added, "I just calls
'em the way I sees 'em"
- but he was too well educated.)
His calling it as he saw it led to later
troubles with the National Socialism régime. He had originally been supportive
of the Nazis; however, the mystico-mumbo-jumbo of
"racial superiority" had alienated him. Like Nietzsche, Spengler was first-and-foremost "a good
European."
Spengler died in 1936 from a bad heart, which had kept him out of WWI - perhaps
from being cannon fodder for that suicidal conflict.
Oswald Spengler's
great contribution was to show, by means of comparative history,
that the faster a Race-Culture moves away from it roots, the quicker it
hastens its decline. "Tradition" then was the hallmark of Spengler's conservatism, even as it had been of Edmund
Burke's. (It remained for Spengler's martyred American
disciple, Francis Parker ["Ulick Varange"] Yockey to
delineate the factors of "Cultural Distortion" and "Cultural
Pathology" which led inexorably to the onset of "Winter.")
Spengler's comments on the United States are of interest: he chided his fellow
Europeans about being ignorant of the cultural level attained by the Southern
aristocrats - praising the antebellum